I’ll admit, I’m guilty of buying books sometimes because I’m drawn in by their pretty, shiny covers. hush, hush is one of those books – if the cover was any shinier, it’d be a dead ringer for a newly waxed BMW.
After digging into the first few chapters of hush, hush, I felt the stress start to set in. Granted, it’s not bad for a first foray into young adult fiction on Becca Fitzpatrick’s part , but I couldn’t help drawing parallels between hush, hush and… well, almost EVERY other book with a high school setting (a certain Twilight series springs to mind). Picture this: seemingly average, out-of-the-popular-loop girl with her quirky best friend and the sudden appearance of a dark, mysterious guy with an unfathomable past. Sounds familiar? If so, you’re in for a lot of déjà vu. This book throws together a lot of well-worn clichés that run endlessly from one to the next.
The story revolves around Nora Grey, the typical “normal” girl in high school with problems of her own – the foremost being Patch Cipriano, the typical bad boy rebel that she has to sit next to in class. Drama, drama. Nora finds herself inexplicably drawn to Patch and his emo-loner fueled, passive aggressive flirty ways as she tries to figure him out. As it turns out, Patch is a fallen angel who initially intended to use Nora as a means to become human, but changed his mind when he gradually began to fall in love with her. Wow, true love? In less than a week? Omigod!!1one
Not to say that the plot is entirely unoriginal. Fitzpatrick’s concept of angels and their different ranks (guardian angels, archangels) had its interesting parts. The actual story itself, however, was quite possibly the most boring thing I had to sit/lie through. Fitzpatrick throws in a slew of romance clichés, which include the main character being forced to share a dingy motel room with her hot crush due to a thunderstorm, or the main character’s best friend getting into trouble with the already suspicious antagonist guy with Mary Sue Nora Grey coming to her rescue – the tiresome list goes on. Oh, and there’s a rather pathetic sort of love triangle involving Nora, Patch, and Elliot, the nice, amiable transfer kid who later turns out to be the evil dude’s lackey.
While Fitzpatrick attempts to inject life and likability into her characters, most of them fall flat. Vee Sky (Nora’s plus-sized best friend) is as annoying as she is predictable, and Patch, despite being the male lead, exudes a revolting brand of sexuality, with his tight jeans and self-inflicted angst and whatnot. Elliot, the one person who seemed remotely worth rooting for, turned out to be a raging, abusive alcoholic.
… Don’t get me started on Nora.
A visit to Fitzpatrick’s site has revealed a SEQUEL to be released in 2010. That’s right, more terribly written scenes of sexual tension between Nora and the ever-lovable (sic) Patch. I’m just… overwhelmed with anticipation.
If you’re trying to get your high school/paranormal fiction fix, I highly suggest you get it somewhere else. hush, hush somehow sucks and blows simultaneously, a feat I had otherwise thought impossible before I laid hands on this book. I was initially half-inclined to add the ‘parody’ tag to this review and laugh it off as an excellent spoof of young adult paranormal fiction, before further poking around Fitzpatrick’s site suggested that she was actually being serious.
For now, ‘crap’ will have to do.
See also: Crescendo
Plot/originality: 2/5
Characters: 1.5/5
Writing style: 2/5
Total score: 5.5/15




